Saturday, January 31, 2009

Rishikesh, in my memories

I was born in Allahabad, grew up in Rishikesh and so my association with Ganga has been quite long. My parents moved to Rishikesh, in the early sixties, when I was just a toddler. It was pretty much a one horse town, then. My mother told me that she cried when she first came there.There were monkeys all around and coexisting peacefully with them was a major challenge of our daily life.They snatched away clothes from our washing line and we had to think up innovative ways of getting them back.The temperature dipped below zero in winter.The only source of entertainment was a rickety cinema hall, where movies released, not days or months but years after releasing in other parts of India. No wonder, my young mother despaired.
I have an early memory of sadhus celebrating Durga puja in one of the numerous ashrams there.They were doing the dhunuchi naach(dancing while holding clay pots with smouldering fire in both hands) to the beat of dhaak and I danced along with them.The bhashan(immersion of the Durga idol) was done in Muni-ki-reti,which was then just a sandy stretch with shacks, along the banks of Ganga. The Himalayan foothills ,the trees, and the beat of the dhakis in the swiftly falling darkness at twilight created an ethereal and deeply melancholic atmosphere as we bid farewell to the Mother.
We later shifted to Virbhadra, a few kilometres away from Rishikesh. My parents worked in IDPL, a public sector unit which manufactured antibiotics.It was plagued with all the illls which generally plague PSUs and has shut shop long ago. The Ganga flowed nearby, in all its pristine glory. An ancient Shiva temple graced its banks. Shiva is said to have started his Tandava from this spot.The temple had murals of Daksha yagya on its walls. A mela was held there on every Shivaratri. A few steps away, was a picturesque Swiss cottage,where Mira Behn, an associate of Gandhiji(originally Madeline Slade,an English woman), lived for some years.It was one of our favourite haunts. The area was overgrown with bhang plants and we heard stories about people losing their mental balance after consuming the bhang leaves. Snakes abounded, including the poisonous varieties like king cobra but in all the twenty years I lived there, there was never an incident of anyone being bitten.

We had the opportunity to meet many sadhus and holy men but somehow I was never very impressed by them. Shivananda Ashram had many highly qualified doctors from different parts of India, who had retired from worldly life and were doing charitable service. I had gone there once when Sri Anandamayi ma had come. Devotees, from all over the world, thronged in hundreds. She seemed oblivious to her surroundings. She was in samadhi, though I could not understand that, then. A group of her devotees were in charge and issuing statements on her behalf like 'Ma has said that no one should leave without eating' and so on. Eyes open,unblinking and unfocused, she sat still, amidst all the commotion around her.

In 1972, Alaknanda (a tributary of Ganga) flooded and the Ganga at Rishikesh was swamped with sand.Thousands of fish choked to death.The water-in-take point for our colony was filled with sand and our taps ran dry. So, schools and factory shut down and every man, woman and child was called upon to do 'shram daan' (voluntary labour). Off we went with buckets and spades, formed long human chains and threw out the sand. I was thirteen and this was heady stuff for me.

Many film units came there, to shoot scenes on Ganga. As there were no decent hotels then, they were put up in our colony guest house. Big and small Bollywood stars would descend on us and our placid flow of life would suddenly be churned up. Amitabh Bachchan, Hema Malini, Rekha, Manoj Kumar and Rishi Kapoor were some of the notables.The presence of the film people was somewhat incongruous in those environs. Bachchan would zip around our narrow colony streets in a white PremierPadmini. Because of their erratic schedules, damage to property by fans and because some of them decamped without paying their phone bills(those were the days of booking trunk calls), this practice was discontinued in 1976.

Familiarity breeds contempt and so I always wondered why hordes of tourists descended on Rishikesh throughout the year.I shifted base after my marriage in 1982. After decades of living in big, crowded metros,now I sometimes long to go back. The fear, that the Rishikesh of my memories no longer exists, holds me back.A precious gift, Rishikesh has given me is that from a very early age, I have seen and met many people there, whose lives were off the beaten track. Good or bad, right or wrong, is a matter of opinion, but they had the courage to break the mould.

Saturday, January 17, 2009

About Aamir Khan and Howard Roark


As expected,'Ghajini' has broken all box office records.Though I don't particularly go for action flicks, this time, I made a beeline for the theatre, along with the hubby , son and millions of other Indians.The reason being, of course, Aamir Khan.He has established himself as a sort of ISI mark in the movie world.We can safely shell out money in the multiplex, knowing we will get our full paisa vasool.

His career path is fascinating. He is the Howard Roark (one of the main protagonists in Ayn Rand's 'Fountainhead') of the Indian film industry.

About a decade ago, he was like any other Bollywood star,churning out several movies a year but then he put on the brakes .I remember watching an interview on Doordarshan,where he was asked about this and whether he felt insecure about money.He then replied that he did'nt live a high maintenance life and earning big money was'nt his aim in life.In fact, he lived in his parent's flat in Bandra at the time.He wanted to do work he believed in.He was only in his early thirties then, a time when economic security is a priority for most people. Success is notoriously fickle in the film industry and a few flops are enough to send a star into oblivion.So, deciding to do only one film at a time must have taken a whole lot of courage.

And see how it has paid off! He now works on his own terms and only on projects which excite him. In an industry, known for its camps and godfathers, he strikes a lonely trail.He doesn't accept awards or dance at functions, much to the chagrin of his peers. He took a break of four years after 'Lagaan', a thing unheard of, for a top star.He doesn't need to kowtow to the almighty media people.For a long time, he ignored the press as he was miffed with them for some reason and yet his films were blockbusters.Even his promotion for 'Taare Zameen Par' was much more low key than other big releases like 'Om Shanti Om' etc but the film did great business on sheer word of mouth. He has turned all Bollywood norms on their head and yet he rules the box office.

His hair styles promote and build up anticipation for his movies, months before they release. This again, is possible, only because he does one film at a time.

From what I read in newspaper reports, he is making an enormous lot of money too. He takes a percentage of the profit of his movies as his remuneration and that comes to a huge amount. He gets astronomical sums for his endorsements too(probably because he brings his 'stamp of quality' to the products he endorses). So by doing fewer films,he hasn't lost out on money either.

So by cutting down on his output, and by following his heart where his work was concerned
Aamir has become a unique phenomenon in his chosen field.

It is said that a slave has one master but an ambitious man has many. Anyone, who can help fulfill his ambition is his master. Aamir is self confessedly highly ambitious and yet he appears to be free! At least much more free than his counterparts seem to be.

He has opted out of the rat race and yet beaten all the rats at their game.

His success deserves to be studied in business schools. In India, at least.

Friday, January 16, 2009

Getting Started in Blogosphere


I am a homemaker and a mother of two who are on the verge of flying the nest.Just had my 50th birthday.

In the Vedic period, I guess, it was around this age ,that people opted for the 'vanprastha ashram'.This was the third ashram or phase of life,succeeding 'Brahmacharya ashram'(student phase), and 'Grihastha ashram'(householder phase).'Vanprastha' literally means 'going to the forest'.The householder gradually relinquishes his responsibilities and rights in the household and allows the younger generation to take over, while he and his spouse move into a more contemplative mode of life.This phase precedes the last one- the 'Sanyas ashram' or the 'phase of renunciation' and is the mental and physical preparation for it. The fruit ripens and gradually disconnects from the branch of worldly life.

I can't say ,the idea doesn't appeal to me right now. It made a lot of sense dividing the human life in these four distinct phases.Would have eliminated many conflicts and power struggles within the household,all those 'saas-bahu' scenarios.People would retire to the solitude and peace of the forests, assimilate their life experiences ,contemplate and meditate. They would have the opportunity to associate and learn from sages who lived in those verdant environs.They depended on Ayurveda for curing their ailments so even that aspect would be well taken care of in the forests.

All this does appear rather tempting to me at this point in my life!An escape,a sanctuary from the humdrum daily existence, the same old routine of life which goes on and on,the never-ending cycle of chores and duties.

So here I am ,taking my first steps into Blogosphere, the modern version of the unknown forest,a world beyond my own small one.For a few hours everyday,I am planning to escape into this world and there is no knowing what I might find.So here goes!